Once, bees would have hummed—
sipping from each pale clover bud
—where now, there are none.
Each hollow honeysuckle bows,
to grieve its absent lover.
(c) 2020 by Hannah Six
Once, bees would have hummed—
sipping from each pale clover bud
—where now, there are none.
Each hollow honeysuckle bows,
to grieve its absent lover.
(c) 2020 by Hannah Six
Hidden behind this curtain
of green and green
a shameful gash gleams red
where spring flowers grew
where acres of ancient woods
sheltered hidden lives
are freshly-mangled mounds
of trunks and tangled roots
the cloak of greed drapes
heavy on these hills savaged
by decree by men
whose empty buildings echo
like vacant hearts
(c) 2020 by Hannah Six
Your name is forgettable
& soon forgotten
being less important
than the way you make her feel
spinning beneath that night
sky filled with stars
you cannot see
yet believe in all the same
this is not to say you are
honest or even kind
because your lies insignificant
as you are sting like wasps
but you are young & so she is
& what you lose could be
everything or maybe
it really is nothing at all
(c) 2020 by Hannah Six
here by the rambling lake
where the blue sky lives
where unexpected breezes
shake the folds out
of waist-high grasses
where box fans hum
blowing out during the heat
of the day and
every spring leaves appear
on the old fallen elm
down the drive
where we wait for summer
to gather force so we can dive
deep into the liquid heavens
(c) 2020 by Hannah Six
below the black somehow of February
bodies balanced on dawn’s flawed surface
you delighted in my dreams stealing
through miles of glass rooms one by one
unfolding delicately seeking unprepared
to endure winter’s final stand alone
(c) 2020 by Hannah Six
I am a weed. I am an orchid.
I am a minnow. I am a shark.
I am a biplane. I am the Concorde.
I am junk mail. I am a poem.
(c) 2020 by Hannah Six
This sentence might be apple blossoms.
Apple blossoms are wild rainbow trouts.
Wild rainbow trouts are rusted metal chains.
Rusted metal chains are cozy fireside chats.
Cozy fireside chats are unpolished roze quartz.
Unpolished rose quartz is a throw-away poem.
A throw-away poem might end with this sentence.
(c) 2020 by Hannah Six
A dozen hours bloom
bending toward evening
on graceful curved stems
(c) 2020 by Hannah Six
those most fearful
(claiming no fear)
cried: Liberty! Freedom!
(while violating ours)
like children they could not
look for monsters
in their closets
under their beds
or in the very air they breathed
like warriors they could have
accepted the truth
but instead they chose the familiar
comfort of fairy tales
(c) 2020 by Hannah Six
terrible men stood over us
looking at the pages pecking out
one letter after another
you could have gone through alone
but they refused our altered papers
we were neither afraid
nor fraught with innocence
and its own perfection
for a day maybe two
they turned the leaves this way and that
without resolution
not long after we changed distilled
into an elixir of June and the end
was exquisite
if I knew how I would revise
those winter hours leaving just a sliver
of spring somewhere in between
(c) 2020 by Hannah Six
four o’clock persists
placid shadows grow restive
expecting fireflies
(c) 2020 by Hannah Six
people are talking wondering
what it means to be so alone
not one of the heady stars
not a single blade of yellowing grass
not even the air you breathe
heeds your presence
once (remember?) we spun out
of the shade and lay rotting
in the sun drawing only the bees
and hornets (let them be)
who wait patiently in this place
this wide land so poised
to plummet into night the red sky
hemmed with defecting geese
(c) 2020 by Hannah Six
how some of us rushed
out right away
to make them by hand
eager to spend
fingers fumbling
all the money we’d saved
with unfamiliar needles
when we had stayed at home
and knotted thread
because it had not touched us
one stitch at a time
we assumed it never would
(c) 2020 by Hannah Six
Everything
in a day it seemed
had ended stopped
making sense
mattering
leaving us with more
time to wonder
& so we did: what we would
have changed
if we had known then
what was left
except after all
everything
(c) 2020, by Hannah Six
Outside the station
She waves at the engineers
Grandma’s hand in hers
Those days, the world was shiny
That was when the trains still ran
(c) 2020 by Hannah Six
The morning was so cold
we feared it
would crack our windshield
but no laughter
was music was laughter
flying downhill so young
could it have been
that morning
when we sang Your love
is like a tidal wave...
how could we have grasped
such oceans of devastation
the tsunami would wreak
(c) 2020 by Hannah Six
A lessening of sorts
a letting go the way
a tulip’s petals
fall away
too soon too soon
but knowing
summer’s fruits will be
as sweet
goodbye becomes
only a place to meet
(c) 2020 by Hannah Six
then spring arrived
but winter stayed
through May
forced to retrieve
the wool
we’d packed away
we bundled up
in coats and hats
most days
hoping for
blue skies to
replace the gray
and for a
magic cure
— that old cliche
— so we could
leave our homes
to work and play
with the ease
we’d failed to
cherish yesterday
(c) 2020 by Hannah Six
walking on the hard wet sand
pelicans diving testing
roughened waves they tasted
tears on the wind and still
they walked neither touching
nor avoiding together
again they forgave themselves
for loving for yearning
as morning glories for the sun
and the breathless blueness
of the sea surged inexorably
between never and someday
They’re just not here.
They can’t be found
under the bed
or out on the ground.
They’ve disappeared
without a trace,
leaving me
in an awkward place.
Where they might be
is hard to gauge,
but one thing is certain:
They’re not on my page.
(c) 2020 by Hannah Six
Clouds move in,
bringing a chill to the afternoon.
In the kitchen, the dishwasher
surges rhythmically.
And, brow furrowed, I am trying
to coax words into submission,
by pretending
they have already been written .
The dog is waiting at the door,
urging me to follow.
Upstairs, neighbors argue
and drag furniture across their floor.
And, breathing shallowly, I am trying
to coerce words into submission,
by threatening their very existence
on the page.
A friend calls, but I cannot answer.
Outside, a man mows the deep grass,
mounds of fragrant cuttings in his wake.
And, fists clenched, I am trying
to beat words into submission,
by flattening them
with a large wooden mallet.
The sun moves toward the valley’s
western rim.
Somewhere, an owl calls, a cardinal,
a wren.
Despairing of ever wrangling those
iron-willed words into submission,
I walk away.
And so they fall neatly into place.
(c) 2020 by Hannah Six