It begins
in the middle, a burning
and a shutting out
of light, without smoke.
The language is
foreign, yet it
muddies and makes
itself a nuisance
an indifferent ice
of interference, looping
through mind and mouth.
That stagger, drunken
weaving on
ironclad legs, stiff,
unbendable.
The breath goes
in horizontally,
an odalisque, or a body
on a marble slab.
The breath goes
out, a shushing trail.
The breath goes
in, day slides
into night in a slick shallow
motion, like that
of an uncooked egg
slipping off
a spoon.
(c) 2017, by Hannah Six
in the middle, a burning
and a shutting out
of light, without smoke.
The language is
foreign, yet it
muddies and makes
itself a nuisance
an indifferent ice
of interference, looping
through mind and mouth.
That stagger, drunken
weaving on
ironclad legs, stiff,
unbendable.
The breath goes
in horizontally,
an odalisque, or a body
on a marble slab.
The breath goes
out, a shushing trail.
The breath goes
in, day slides
into night in a slick shallow
motion, like that
of an uncooked egg
slipping off
a spoon.
(c) 2017, by Hannah Six
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