Showing posts with label #1462PoemsProject #poetry #poem #poemaday #writing #ResistTrump #SaveOurDemocracy. Show all posts
Showing posts with label #1462PoemsProject #poetry #poem #poemaday #writing #ResistTrump #SaveOurDemocracy. Show all posts

Tuesday, February 13, 2018

Safer Than This (Day 391)


I wish the world felt 
safer than this 
where, every evening, 
I lay my head amidst 
a firestorm of wild mustangs, 
steely hooves trailing sparks, 
thundering without warning 
down the narrow, 
perfumed path that 
no longer bears the weight 
of my few belongings

where yellowing bottles 
of laudanum dreams 
offer an ease, akin to 
daylight’s first soft fingers 
tickling my cheek, warm 
as laughter under the covers, 
last night’s violet silk 
shimmying on the bedpost 
in a lingering echo of smoke 
and dancehall jazz 

where hungry wolves, 
roused from their dens 
in the frozen woods, pace 
through the long, winter nights
—their claws puncturing 
the tense, icy crust 
with each step—waiting for me 
to emerge into the cold


(c) 2018, by Hannah Six

Image: Bhakti2/Pixabay


Monday, January 22, 2018

Cat Haiku (Day 369)

Beloved bittersweet
Enchantingly velutinous 
This bewhiskered bundle


(c) 2018, by Hannah Six



Note to worrywarts (like me): Charley played Muse today. He is perfectly fine! 

Monday, December 18, 2017

Stalk (Day 334)


here  so delicately 
breaking that bright green
tendril  the interloper  
stalks swagging thick  
swarming over branches left 
sweating in water-air  dribbling 
into depths of dromedary 
bliss  learn deeply 
to kiss this odd laughing 
fountain  look back like catfish 
after dark  learning that neither 
crickets nor fireflies glow 
here  so delicately 



(c) 2017, by Hannah Six

Image: GSmith via Wikimedia Commons

Saturday, December 16, 2017

When Service Begins (Day 332)


When service begins, she is looking to her right, at an ostentatiously pious, balding man and his younger wife, who seems ill at ease. Whether she dislikes being in church or simply being next to her husband is difficult to say.

In California, she thinks, looking out at the wilderness of the unmown field next door, everything, even church, is more comfortable, natural and easy.

The little boy just in front of her just turned seven, and can’t open his hymnal to the right page. When his mother reaches over to help, he jerks the book and turns away, wanting to do it himself. His mother sighs audibly, and a tiny surge of annoyance ripples through their neighbors.

Looking to her left, now: A very large, very rude woman, who never sits in the rear, though she always arrives late, and who, every week, manufactures an opportunity to proclaim herself one of the few Native Californians in the congregation. 

Since moving here with her son, weekends have been lonely. It is hard to meet people, when everyone spends so much time in their cars, commuting and running errands. Always, sitting in traffic. 

At first, she actually tried walking to the grocery store. But, in that brief quarter-mile, she attracted so many pitying glances and offers of rides or assistance that she, too, took to her car.

The woman next to her settles back and relaxes, her thighs spreading a bit as she does. It’s a comforting feeling, this sudden body contact. Anyway, she thinks, wouldn’t it seem antisocial, somehow, to pull away too soon?

When the service ends, she is glad to step into the glare of the parking lot. It feels so good, relaxing her face, not having to smile any longer.



(c) 2017, by Hannah Six


Stained Glass Window, St Michael's Church Linlithgow