Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, May 11, 2017

A Heart Like This (Day 113)

 

A Heart Like This

Behind the white hot burn 
bright love, blinding me to 
the bruises behind my eyes, 
a heart like this, that slithers 
rather than flips, puddling 
around me, a silk dress, slipped 
from my shoulders at the end 
of a long, sad-song day. 

In a pool, in my mind, 
soft wings of water wrapped 
around me like salvation, pure 
as polar runoff, and twice as blue,
eyes fixed on a sky the size 
of Texas, tightly laced by cedars 
soaring above the ridge, 
watching two bald eagles 
circling around spirals of circles, 
rising on Earth's warm exhalations, 
celebrating the completion 
of this year's nest.

Arms spread wide, watching 
the eagles gliding, it seems 
blue is the color of this afternoon, 
of the veins in my wrists, 
of his eyes, the color 
reflected by the crystal stream 
that flows beneath the bridge, 
where she once lay, 
when cottonwood tufts played,
on beams of honeyed light, 
and over which, with gentle step
she crossed once more today.


In loving memory of Katja, most beautiful kitty in the world,
whose joy, love, and friendship I was blessed with 
for more than 15 years.

(c) 2017, by Hannah Six

Friday, February 24, 2017

An Uncommon Crowd (Day 36)


Photo: Paul Sableman




An Uncommon Crowd

An uncommon crowd 
crushed the town, 
taking care to explain 
his impertinent proposal.
We waited, leaden, ground 
to diamonds by the casual 
processions—silent circuses 
of nostalgic longing. 
Ice chimed against the rippling 
sidewalks. It was like this, 
they warned, and we hung 
on to the raveled edge 
of every magic carpet 
they unfurled, bound as we 
were by blood and spirit. Yes, 
we sighed, that was their world. 
And now? Heads bowed, we 
glowed, endowed with
phosphorescent wisdom,
ridiculous, assured. 
The darkness whispered: 
Neither moment matters.




(c) 2017, by Hannah Six

Thursday, February 23, 2017

Leaves (Day 35)

 

Softly, leaves unfurl
Turn trembling faces sunward
Wings poised for first flight




(c) 2017, by Hannah Six

Monday, February 20, 2017

Their Unfortunate Crime (Day 32)

 
Photo: Jacob Riis



Their Unfortunate Crime

Those people  there, 
not we   not us   not me     they 
are the problem   See them  
leaning on that wall 
Sitting cross-legged in the dirt 
that collects like unpanned gold 
beneath their nails
The rusted old cars in their 
sere yards choked with weeds
The flies   the mud   the guarded 
bloodshot eyes of their 
sweating bloated babies
Lord   We should adopt them all 
what kind of parents would
soldiers could   kids delirious 
in hooded jackets   pants down 
to there   Thank God   
they are not    here   we are not 
there    not them   they are 
not us   and that 
in our westernized opinion 
is their most unfortunate crime

(c) 2017, by Hannah Six

Saturday, February 18, 2017

Tell Me How (Day 30)


Photo: Atchoo, via WikiMedia 


Tell Me How

Tell me about the dandelion 
weightlessness of fine blonde hair 
in a deep tub of warm water

Tell me about the hushed 
porcine grunts and whimpers 
made by a litter of nursing pups, 
aquiver with urgency, while 
their mother, eyes half open,
rests patiently on her side

Tell me how, when the fog 
rolls in from the darkness,
an echoing silence descends 
on the harbor, muffling 
the thunder of waves 
against the jetty, while 
magnifying the commonplace,
rendering each overheard voice 
an unexpected intimacy

And tell me how—when you 
last saw her, and took her 
in your arms to wrench 
a final goodbye from the aching
 knot in your chest, 
you suddenly realized 
that, for a moment, she knew 
who you were 

(c) 2017, by Hannah Six

Friday, February 17, 2017

Willing Captive (Day 29)

Willing Captive

Siren song, 
the luxuriant purr
—a silken cord,
it binds my wrist
—and I, powerless 
to resist, reach out 
my willing captive 
hand, to pet 
the pet 
whose pet I am.


(c) 2017, by Hannah Six

Thursday, February 9, 2017

A Leopard (Day 21)

Is a black leopard
too much shadow
when    at night  
the silver fox
   winds her way
                    further into
the lair of bright
    brooding hens    like
a pallid
    ghost of some
long-forgotten
truth

(c) 2017, by Hannah Six

Tuesday, January 31, 2017

It Begins in the Middle (Day 12)

It begins
in the middle, a burning
and a shutting out
of light, without smoke.
The language is
foreign, yet it
muddies and makes
itself a nuisance
an indifferent ice
of interference, looping
through mind and mouth.
That stagger, drunken
weaving on
ironclad legs, stiff,
unbendable.
The breath goes
in horizontally,
an odalisque, or a body
on a marble slab.
The breath goes
out, a shushing trail.
The breath goes
in, day slides
into night in a slick shallow
motion, like that
of an uncooked egg
slipping off
a spoon.

(c) 2017, by Hannah Six

Monday, January 30, 2017

A Haiku for Day 11

No. 11

Pretentious sunset,
Spinnakers ablaze, trailing
Temperate afternoon

(c) 2017, by Hannah Six


Photo: D Ramey Logan via Wikimedia

Tuesday, June 2, 2015

A Moving Poem

Flood of socks subdued.
Old shoes sent down the river.
Daily, boxes ebb.

(c) 2015 by Hannah Six


Photo: FEMA, courtesy Wikimedia Commons

Wednesday, February 5, 2014

Who? (Poem 310)

Who 
can I say 
goodbye to 
after 
the barrel 
burstsWhen 
my mouth is empty 
of names, whose 
pain should I 
lament? 
When the dull ache 
of iron flattens 
the wind-creased 
February night, 
who 
can I cry for, whose 
shattered fragments 
should I gather in 
my thin nylon skirt, whose 
shards glue together 
in my vain efforts 
to reconstruct 
a hard-lost life? 
When galaxies weep, 
and the very stars, 
like shimmering shrapnel, 
rain down 
on peaceful dreams, 
on furtive love, 
on heated words 
that cannot be 
recalled, 
who
tell me
who
can I say 
goodbye to?

(c) 2014, by Hannah Six


Azaz, Syria 
(Photo: Scott Bob, VoA News, via Wiki Commons)

Tuesday, October 15, 2013

What She Saw (Poem 196)

Watching him watching 
Quincy reruns, Hershey's Kisses
By his elbow, she sees--not the
Striated gray combed across 
His dented skull, not the belly 
Sliding steadily toward his lap,
Nor the way his mouth now turned
Down at the corners--but 
The shiny wave of raven hair
That touched his brow,
The firm shoulder her hand
Rested on when dancing,
And the sparkle in the
Blue, blue eyes of this man
Who, for thirty-seven years,
Walked through the door 
With a wink and a smile, 
At 6 p.m. sharp, 
like clockwork.

(c) 2013, by Hannah Six

Sunday, October 13, 2013

The Hive: A parable in progress (#194)

The queen bee 
could not see 
her workers 
from the center 
of the nest.
Even so she 
felt entitled 
to demand more 
than their best.
"You get more 
than you deserve," 
she said, "for 
your menial work.
Besides, I am 
your chosen queen, 
this throne's my 
rightful place."
The tired, hungry 
workers sent a 
spokesbee in to 
plead their case:
"How can you 
know us, Majesty, 
from here when 
we're out there,
tending pupae, 
cleaning cells, 
collecting pollen, too?
We want a
hint of fairness, 
and the same 
care you'd 
give yourself. 
Or, perhaps, 
you'd rather we
relocate you to 
someplace else?"
Before he left, 
the bee advised
his queen to
change her views.
"For you may
think that we 
are less," he 
said, "but we 
outnumber you."

(c) 2013, by Hannah Six

Photo: Muhammad Mahdi Karim

Saturday, October 12, 2013

Love, Like Steel (Poem 193)

Gentle is the hand
That, like a snowflake, rests
Upon the child's brow

Soft and fleeting touch
Belies the lifelong power
Love, like steel, endures

(c) 2013 by Hannah Six

Thursday, October 10, 2013

October Pear (Poem 191)

Better than I ever thought it could be:
fat and bottom-heavy, acid green

tinged with unexpected flush of roses,
freckles, indentations darkening--

Perched and growing juicy on the sill,
until I pluck it off and slice it open,

juice running like honey down my knife...
Delaying that first taste for just a moment,

anticipating that burst of delight
when I become last summer with one bite.

(c) 2013, by Hannah Six

Wednesday, October 9, 2013

Clash (Poem 190)

pale strands of grass smoothed 
flat by thunder    birds gone 
silent    air taut 
with tension    rent flesh--
gorgeous bloody gashes 
hanging skin--apocalyptic 
cries and crashing skulls    
eyes rolling bodies rolling 
running watching    stunned
statues     conquered and
conqueror    the conquest,
at last, the prize

(c) 2013, by Hannah Six


(Photo: Yathin S Krishnappa, 2010)

Tuesday, October 8, 2013

Magic (Poem 189)

The breath is slow;
It comes and goes--
The mind is so willing,
The body so weak.
So I stroke his fur,
And my cat, he purrs--
That sweet, soothing sound
Working magic on me.

(c) 2013 by Hannah Six



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Monday, October 7, 2013

Daydreamer (Poem 187)

Underneath the glamour,
When you gaze out the window,
Cigarette in hand,
Do you see the ordinary?
Or do you see your world
In spiraling candy colors--
A lollipop that dazzles the eye
Before it upsets the stomach?
Glass in hand, your lips
Slightly downturned, you
Revise and revive the stories. 
I shift my feet, and you turn
To me with a smile.

(c) 2013, Hannah Six
 

Sunday, October 6, 2013

Prairie Song (Poem 188)

Slowly, slowly grew the pumpkin
Bitter blew the wind
Upon the air the tang of woodsmoke
On the trees the leaves had thinned
Bitter blew the wind

Longer, now, until the morning
Shorter, now, the days
The evenings passed with books and knitting
Warm before the crackling blaze
Shorter, now, the days

Piled high with quilts and blankets
Tucked into our beds
A lullaby from father's fiddle
Mother's kiss upon our heads
Tucked into our beds

Safe and snug within our cabin
Tucked into our beds

In gratitude to Laura Ingalls Wilder for a lifetime of happy reading, nostalgic dreaming, and comforting (if vicarious) memories.

(c) 2013, by Hannah Six

Saturday, October 5, 2013

Into a Garden (Poem 186)

reaching, folding into the pink, 
the coral, the everlasting violet 
and yellow turning smiles at the sky, 
hand stemming, leafing, vining 
around interlopers and slipshod silver 
birch bark, adjusting, fluffing, sculpting life 
into a form her mind takes, then
pushes up, through the heavy loam 
that settles on her bones sometimes 
with a damp, mossy ache and 
paints her brow with stripes of clay, 
which mingle with her salt and soothe
the tenderness her flowers awake 
in her faint and furrowed heart

(c) 2013, by Hannah Six