Showing posts with label #refugees. Show all posts
Showing posts with label #refugees. Show all posts

Wednesday, February 7, 2018

Strange Country (Day 385)


Wide 
strange country 
under pale empty skies   
the women, walking, stand 
straight (no stoop-shouldered, 
martyred shuffling, no slouchers 
or complainers) walking, wonder 
why and whether they will ever 
learn when their parents die,
if they will ever know their 
nieces and nephews 
names.  



(c) 2018, by Hannah Six

Note: I chose not to include a photo with today’s poem, in the interest of inclusivity. Everywhere, throughout time, women have gotten a bum deal. We need to stand together. 

Friday, September 15, 2017

Poison Slurry (Day 240)

your words  they lie 
as well as 
sit  a pale egg 
unhatched 
the poison slurry 
fills the cracks
appalling  we are 
spit-and-polish 
egos  where a small 
few head 
he goes all in  
they follow even unto
silver-plated truth he 
traded in 
exchange for 
long-since missing wits



(c) 2017, by Hannah Six

Image: StockSnap

Thursday, August 3, 2017

Generous Hearts (Day 197)

Generous hearts sigh heavenly
above a vengeful wreck,
alchemy draws awe from ice
eager, crackling spring
reveals infant pity, curled 
a nautilus of frozen hope
belligerence and boredom stilled 
unwilling, marble cries 
brittle joy, unsatisfied
cruelty’s fronds unfurl,
smoke rings stain a golden sky
filigree shrouds a violet pearl
brave new winter looms beyond
cicada evenings soft and long


(c) 2017, by Hannah Six

Image: Karsten Paulick

Wednesday, August 2, 2017

Singing Alouette (Day 196)


singing Alouette   unaware 
of the threat behind the rolling words 

which   one day   she’ll wish she could 
forget   when the plucking of the little bird 

disturbs her brave heart   disrupts her 
tender soul   a bower of deep green 

dreams   hidden high among the pears  
seated on a V   longing for admittance 

to a world she does not know   for questions
proving what her answers show

pushing back a darkness she knows well  
a slippery pet  claws at her family tree

reckless   overwhelmed   she takes a stand
determined not to let her feelings show

she plants her feet   a warrior   sword at hand     
and stares down her fire-breathing foe


(c) 2017, by Hannah Six



Monday, July 31, 2017

At the End of the Pier (Day 194)



Sitting at the end of the pier, 
you and I shared a coke, 
our feet dangling in midair. 

We inhaled the faint mist rising 
from the water, which flowed 
with the tide, left-to-right, below us, 

and imagined boats drifting past, 
carrying people we glimpsed 
on the news, people without 

homes, some running from, some 
running toward. Then, we fell silent, 
as children do, who, like refugees, 

carry little sense of power, helpless 
in the face of pain and despair, 
never realizing that we, hands tied, 

offered more than the entire city behind 
us—hearts in our hands, ready to give 
or to take, as the situation required. 


(c) 2017, by Hannah Six

Image: Alcatraz Sunrise, by Tony Webster


Tuesday, March 28, 2017

Let Me (Day 69)


Let me
            help
                    hold
sing to             cry for
you
     know
    that the water I offer
will be soft
        cool
             quenching
     that the fire in my heart
will burn
    blue as lightning
                               as tears
music             bruises
will heal
      your heart
           when you lose
what         holds you      up
will
will not
       soften
            in unbreakable time
which will
      continue to pass
without
      feeling
            like a dream
you        will
                    outlast
this

(c) 2017, by Hannah Six





***No human being is illegal.***

Image: Ojibwa village at Sault Ste. Marie in 1846, Paul Kane (1810-71)



Sunday, March 19, 2017

First Arrived (Day 60)


Taking in the South— 
an allusion to
when you first arrived,
carrying the weight 
of so many others, maybe
a little bit crazy.
Everyone thought 
our energy was funny.
What a refugee is: being 
a conqueror of the world,
not a dirty word.
Gathering on the patio 
in the cool aqua evenings, we
are such fighters and warriors now—
on the move, singing
like birds, a political idea 
we have come
to represent. You
are welcome to
take more than just one look.

(c) 2017, by Hannah Six

Monday, February 20, 2017

Their Unfortunate Crime (Day 32)

 
Photo: Jacob Riis



Their Unfortunate Crime

Those people  there, 
not we   not us   not me     they 
are the problem   See them  
leaning on that wall 
Sitting cross-legged in the dirt 
that collects like unpanned gold 
beneath their nails
The rusted old cars in their 
sere yards choked with weeds
The flies   the mud   the guarded 
bloodshot eyes of their 
sweating bloated babies
Lord   We should adopt them all 
what kind of parents would
soldiers could   kids delirious 
in hooded jackets   pants down 
to there   Thank God   
they are not    here   we are not 
there    not them   they are 
not us   and that 
in our westernized opinion 
is their most unfortunate crime

(c) 2017, by Hannah Six

Sunday, February 12, 2017

Not to Blame (Day 24)

Not to Blame
by Hannah Six

They are not
to blame for the fact
that their names
sound complicated
to our ears,
that their language
tastes piquant
on our tongues,
that their eyes
—turned toward
the brilliance
of our priceless
treasure—burn
like the July sun
on our shoulders,
that their existence
looks like silvery
chimes and rush-hour
traffic and
teenage dystopian
fiction.
How could blame
breathe
in the vacuum of our
fear?
How
could its heart beat,
mired in the shivering
quicksand of
our shame
at stepping over
who they are
on our way to work?

(c) 2017, by Hannah Six

Tuesday, February 7, 2017

They (Day 19)

Temple of Bel, Palmyra (Photo: Bernard Gagnon)



They
By Hannah Six

They began.
We were
Unborn.

They rose.
We'd barely
Begun.

They loved.
We were
Forlorn.

They lived.
We fled
The sun.

They fell.
We eyed
Their lands.

They asked.
We turned
Them down.

They suffered.
We washed
Our hands.

They needed.
We weren't
Around.

They cried.
We let
Them die.

Like fools,
We believed we
Were wise.




(c) 2017, by Hannah Six