Showing posts with label #poetry. Show all posts
Showing posts with label #poetry. Show all posts

Thursday, August 17, 2017

Now (Day 211)



Now 
is the winter
of the Summer
of Love

and the summer
of the winter
of our discontent



(c) 2017, by Hannah Six

Image: zalazaksunca

With gratitude to Mr Hemingway and Mr Shalespeare for this poem's inspiration

Sunday, July 23, 2017

Spoons (Day 186)

Be careful how you spend them:
Too many in the morning will 
upend your day. Summer’s 
brilliant sunlight will come 
streaming through your 
windows, find you 
where you hide, 
and set your pale skin 
aglow, inside, there in your
bed. Your plans all scattered 
to the wind, because you needed 
rest instead. Once again, you gave 
them all away, far too early In the day.




(c) 2017, by Hannah Six 

(The Spoon Theory is a way to describe myalgic encephalomyelitis [ME], fibromyalgia [FMS], multiple sclerosis [MS] and other ‘fatiguing’ [major understatement, there] autoimmune diseases. Read about it here.)

Image: FaceGuard via Pixabay

Sunday, July 16, 2017

Abuelita, June 2017 (Day 179)


We crossed the border in
a rusted Falcon, on a wheel 
that was starting to go flat. 

A fountain of dust spouted 
behind us, tinting the sky  
terra-cotta where the sun shone,

Powdering our car, skin, food 
with an ancient, ubiquitous grit,
metallic on our tongues, like blood.

Whenever we passed another 
car, truck, any sign of civilization, 
she ducked and covered herself. 

Before the stark mountains, a plain, 
monotony interrupted here and there 
by run-down, sun-broken signs. 

We drove through darkness, wide 
open to the desert air, vibrating
under a million spinning galaxies.



(c) 2017, by Hannah Six

Photo: Rennett Stowe


Tuesday, July 4, 2017

A fan, a violin... (Day 167)


A fan, a violin, a ticket 
on a swaying train,
waiting like some self-satisfied 
grande dame enshrouded 
by her veil of steam. Wheels 
sing on cobblestone streets, but 
in the sprawling park, duets walk 
and listen appreciatively 
to a handsome mockingbird. 
Summer sulks, and whispers in 
equatorial tones, painted in red 
dust and canopied windows, 
behind which translucent ladies fan 
themselves and pretend not 
to sweat. The men, dangling 
cigarettes in a darkened library, 
admit nothing to their wives—mere 
trophies or, at best, beloved pets—
whose delicate natures, their men 
believe, could not tolerate the harsh 
daylight glare of their midnight 
mistresses. Falsehoods, fraught 
with thorns and slickly oiled, flare 
like matches, only to burn out 
and leave behind only untrustworthy 
images in their wake.


(c) 2017, by Hannah Six

Vintage photo: Afternoon Tea, Bombay 1897

Tuesday, June 13, 2017

You Come Back To Me (Day 146)


 Katja, on hand-crocheted ripple blanket

In the strong line of my pen, 
you come back to me—
playful, an acrobat, more sure 
of your skill than I, but you
prove yourself, and, high 
above us find a view that 
inspires your frequent high-wire 
displays, much to my dismay. 

In the light of a midnight moon, 
you come back to me—
ghostly presence just beyond 
my toes, leading me through 
darkness on the route I always 
follow, then you take me back 
to bed and perch, a quiet 
presence, near my head, and 
I slip into sleep hearing you
purr, my fingers tangled in 
your luxurious fur. 

In the still moments before I wake,
you come back to me—again, 
alight in the rose-gold morning 
glow, solemn, silly, cherished 
little friend, somehow you 
always know my dreams are 
at an end, my eyes about to open, 
and, mysterious as joy, you’re 
there to meet me, the sweetest 
way to greet another day.



(c) 2017, by Hannah Six

Wednesday, May 17, 2017

Hopeful Tanka (Day 119)

Feathered choristers pray.
Short notes whirl above the flutes.
The shining wings beat.

A temple of new leaves swings.
Hope gathers on the horizon.


(c) 2017, by Hannah Six


Sweet photo by Frank Schulenburg, "House Finch (Haemorhous mexicanus) with an Oregon Junco in Strawberry, California"

Tuesday, May 16, 2017

Words Fail (Day 118)


Some days the words fail
You refusing to come home
Leaving the Muse alone
With silence
Like a barren page



(c) 2017, by Hannah Six

Tuesday, March 28, 2017

Let Me (Day 69)


Let me
            help
                    hold
sing to             cry for
you
     know
    that the water I offer
will be soft
        cool
             quenching
     that the fire in my heart
will burn
    blue as lightning
                               as tears
music             bruises
will heal
      your heart
           when you lose
what         holds you      up
will
will not
       soften
            in unbreakable time
which will
      continue to pass
without
      feeling
            like a dream
you        will
                    outlast
this

(c) 2017, by Hannah Six





***No human being is illegal.***

Image: Ojibwa village at Sault Ste. Marie in 1846, Paul Kane (1810-71)



Wednesday, March 8, 2017

Lonely From The Inside (Day 49)

The body knows 
lonely from the inside, 
bone deep:
ice-cold toes in the midst
of summer, 
or that odd gnawing 
hunger that comes on a few 
hours after Thanksgiving 
dinner. In the morning,
the body knows
it as a hollowness,
an echoing empty house
in which someone was 
supposed to have been 
living. On the outer rim
of sleep, the body knows
lonely so deep and all
consuming that, instead 
of reeling away in fright,
the two embrace, 
the feeling pulled up
and around like 
a comforter 
on a winter night. 


(c) 2017, by Hannah Six

Friday, March 3, 2017

Instead (Day 43)



Just now, I thought
There's not a lot
Going on inside
My head.

This realized,
I recognized
The fog within
And said:

I just can't write
A poem tonight,
So I wrote this
Instead.

(c) 2017, by Hannah Six


For information about ME/CFS, visit:
http://solvecfs.org/what-is-mecfs/
#MECFS #MillionsMissing




Sunday, February 26, 2017

The Lost and The Conquered (Day 38)

 
Photo: Votesmall via WikiMedia


The Lost and The Conquered

Downy sunshine 
reflects the white horizon 
mounds of prairie, green 
   as my people 
   as my old Chevy pickup

A war rages inside me
the lost and the conquered
   cleaning their guns
   claiming their ground
   watering their horses

Maybe this is the pale 
fish skimming the depths 
of my blood 
where I was conceived by 
the dry kiss of a reader 
who returned to his beloved

When the windows are dark 
I sense The Hills 
staining the horizon 
the well-packed bed 
   of my truck straining 
   toward the highway  
luring me, a willing virgin
at home in neither 
East nor West 
but in the middle states 
at ease
in the way 
the undulating wind 
becomes story 
    again and again


(c) 2017, by Hannah Six


Thursday, February 16, 2017

How Will You Be Remembered? (Day 28)



How Will You Be Remembered?

Your legacy
is too 
small
to receive
our obligation.



(c) 2017, by Hannah Six


(Went a little crazy with my marker, and blacked out one of my words!)

Wednesday, February 15, 2017

Shallow Water (Day 27)

Photo: Richard Palmer


Shallow Water

The sand grew hot, 
searing gusts more 
dust than air, 
coating their eyes, 
their mouths, rendering 
each awkward breath 
a punishment. 
Is this what 
they had in mind? 
Or was 
the winding tide of clarity 
obliterated 
by the ineffable truth 
of  moonlight 
shimmering 
on a vast expanse 
of shallow water?



(c) 2017, by Hannah Six


Tuesday, February 14, 2017

The Clock (Day 26)

The Clock
By Hannah Six

What they
did not know then:
Unplugged, the clock still ticked
Silenced, the alarm was always
ringing


(c) 2017, by Hannah Six




Note: This poem is a cinquain—a poem or stanza of five lines. I based today's poem on a specific cinquain form used by Adelaide Crapsey. For more information, visit this Academy of American Poets web page.